{"id":5235,"date":"2024-03-27T17:19:34","date_gmt":"2024-03-27T21:19:34","guid":{"rendered":"https:\/\/puppetsinthegreenmountains.net\/?page_id=5235"},"modified":"2026-04-01T09:46:35","modified_gmt":"2026-04-01T13:46:35","slug":"puppetry-exhibit","status":"publish","type":"page","link":"https:\/\/puppetsinthegreenmountains.net\/?page_id=5235","title":{"rendered":"Puppetry Exhibit"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"5235\" class=\"elementor elementor-5235\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2599a97 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no e-con e-parent\" data-id=\"2599a97\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1fe981c elementor-widget elementor-widget-text-editor\" data-id=\"1fe981c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<h3><strong><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright wp-image-5856 size-full\" style=\"margin-bottom: 30px;\" src=\"https:\/\/puppetsinthegreenmountains.net\/wp-content\/uploads\/Puppets4.0_Raum-2-auf-dem-Jahrmarkt_Room-2-At-the-fair_\u0435\u0308dfp_digifactura-2020.jpg\" alt=\"\" width=\"3840\" height=\"2160\" \/><\/strong><\/h3><h3><strong>Puppetry 4.0 Museum without Walls by Fidena Festival (Germany)<\/strong><\/h3><p><strong>At Brattleboro Museum &amp; Art Center<\/strong><\/p><p><span style=\"font-weight: 400;\">Age recommendation 12+<\/span><\/p><p><span style=\"font-weight: 400;\"><strong>The German Forum for Puppetry Arts<\/strong> brings the diverse world of puppet theatre <\/span><span style=\"font-weight: 400;\">to life in an interactive exhibition: Equipped with virtual reality headsets, visitors of &#8220;Puppets 4.0 \u2013 Museum without walls&#8221; immerse themselves in five digital rooms and learn about Fritz Wortelmann&#8217;s puppet collection.<\/span><\/p><p><span style=\"font-weight: 400;\">The former founder of the German Institute for Puppetry is part of the virtual exhibition himself: as an animated figure, he provides useful information and introduces visitors to the virtual environment. Visitors learn interesting facts about the history, development and forms of puppetry and experience fascinating exhibits from different countries in action.<\/span><\/p><h3><span style=\"font-weight: 400;\">What to expect?<\/span><\/h3><p><span style=\"font-weight: 400;\"><img decoding=\"async\" class=\"alignleft size-full wp-image-5960 lazyload\" data-src=\"https:\/\/puppetsinthegreenmountains.net\/wp-content\/uploads\/puppetswoods.png\" alt=\"\" width=\"400\" height=\"218\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 400px; --smush-placeholder-aspect-ratio: 400\/218;\" \/>A virtual curtain falls: Welcome to the forest! You meet puppets from Fritz <\/span><span style=\"font-weight: 400;\">Wortelmann&#8217;s lifetime here. Starting with his own hand puppet theatre, followed by <\/span><span style=\"font-weight: 400;\">the propaganda puppet theatre of the Nazi era and ending with the artistically <\/span><span style=\"font-weight: 400;\">designed hand puppets of Lore Lafin, which are experimental and far ahead of their <\/span><span style=\"font-weight: 400;\">time.<\/span><\/p><p><span style=\"font-weight: 400;\">Next, the path leads from nature to the city: In the second room, visitors find <\/span><span style=\"font-weight: 400;\">themselves amidst a medieval market. Here they learn about the different ways in <\/span><span style=\"font-weight: 400;\">which the comic figure is played all over Europe. Kasper and his international relatives <\/span><span style=\"font-weight: 400;\">from Italy, England and Turkey invite visitors to linger and enjoy the atmosphere.<\/span><\/p><p><span style=\"font-weight: 400;\">Under a starry night sky in the third room, visitors stroll through an Indonesian bazaar <\/span><span style=\"font-weight: 400;\">in front of a temple. Here they learn all about wayang, the traditional shadow, puppet <\/span><span style=\"font-weight: 400;\">and mask play of Indonesia.<\/span><\/p><p><span style=\"font-weight: 400;\">The fourth room continues with a visit to a temple. The sacred atmosphere underlines <\/span><span style=\"font-weight: 400;\">the importance of religious contexts for numerous puppetry traditions of Japan, China <\/span><span style=\"font-weight: 400;\">and Myanmar. At the same time, a spiritual dimension is opened which contrasts with <\/span><span style=\"font-weight: 400;\">the previous rooms and exhibits.<\/span><\/p><p><span style=\"font-weight: 400;\">The last room is in the research center of the German Forum for Puppetry Arts in <\/span><span style=\"font-weight: 400;\">Bochum, to familiarize visitors with our institution and gradually return to the real <\/span><span style=\"font-weight: 400;\">world. But before they do, they can meet here the spectacular shadow figures of the <\/span><span style=\"font-weight: 400;\">Australian artist Richard Bradshaw, or the knights of the Sicilian Opera dei Pupi.<\/span><\/p><p><span style=\"font-weight: 400;\">\u201cThis imaginary museum seduces. We are pulled along on a playful-atmospheric world <\/span><span style=\"font-weight: 400;\">trip through puppet theatre.\u201c \u2013 Double. Magazin f\u00fcr Puppen-, Figuren- und <\/span><span style=\"font-weight: 400;\">Objekttheater<\/span><\/p><h3><span style=\"font-weight: 400;\">Development and further information:<\/span><\/h3><p><span style=\"font-weight: 400;\">For Puppets 4.0, the German Forum for Puppetry Arts is collaborating with <\/span><span style=\"font-weight: 400;\">DIGIFACTURA &#8211; a start-up that specializes in the 3D digitization of art and cultural <\/span><span style=\"font-weight: 400;\">assets and has designed the virtual reality world exclusively for the exhibition. <\/span><span style=\"font-weight: 400;\">Information on the terms of use and frequent questions and answers can be found at <\/span><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.fidena.de\" target=\"_blank\" rel=\"noopener\">www.fidena.de<\/a>. For further questions: <\/span><a href=\"mailto:doku@fidena.de\"><span style=\"font-weight: 400;\">doku@fidena.de<\/span><\/a><\/p><h3><span style=\"font-weight: 400;\">Funding:<\/span><\/h3><p><span style=\"font-weight: 400;\">The project is supported by the Bundesbeauftragte f\u00fcr Kultur und Medien and the City of <\/span><span style=\"font-weight: 400;\">Bochum. <\/span><span style=\"font-weight: 400;\">The English version was made possible thanks to the support of Kultur.Gemeinschaften a <\/span><span style=\"font-weight: 400;\">collaborative funding strategy by Bundesbeauftragte f\u00fcr Kultur und Medien, Neustart Kultur <\/span><span style=\"font-weight: 400;\">and Kulturstiftung der L\u00e4nder.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Puppetry 4.0 Museum without Walls by Fidena Festival (Germany) At Brattleboro Museum &amp; Art Center Age recommendation 12+ The German Forum for Puppetry Arts brings the diverse world of puppet theatre to life in an interactive exhibition: Equipped with virtual reality headsets, visitors of &#8220;Puppets 4.0 \u2013 Museum without walls&#8221; immerse themselves in five digital rooms and learn about Fritz Wortelmann&#8217;s puppet collection. The former founder of the German Institute for Puppetry is part of the virtual exhibition himself: as an animated figure, he provides useful information and introduces visitors to the virtual environment. Visitors learn interesting facts about the history, development and forms of puppetry and experience fascinating exhibits from different countries in action. What to expect? A virtual curtain falls: Welcome to the forest! You meet puppets from Fritz Wortelmann&#8217;s lifetime here. Starting with his own hand puppet theatre, followed by the propaganda puppet theatre of the Nazi era and ending with the artistically designed hand puppets of Lore Lafin, which are experimental and far ahead of their time. Next, the path leads from nature to the city: In the second room, visitors find themselves amidst a medieval market. Here they learn about the different ways in which the comic figure is played all over Europe. Kasper and his international relatives from Italy, England and Turkey invite visitors to linger and enjoy the atmosphere. Under a starry night sky in the third room, visitors stroll through an Indonesian bazaar in front of a temple. Here they learn all about wayang, the traditional shadow, puppet and mask play of Indonesia. The fourth room continues with a visit to a temple. The sacred atmosphere underlines the importance of religious contexts for numerous puppetry traditions of Japan, China and Myanmar. At the same time, a spiritual dimension is opened which contrasts with the previous rooms and exhibits. The last room is in the research center of the German Forum for Puppetry Arts in Bochum, to familiarize visitors with our institution and gradually return to the real world. But before they do, they can meet here the spectacular shadow figures of the Australian artist Richard Bradshaw, or the knights of the Sicilian Opera dei Pupi. \u201cThis imaginary museum seduces. We are pulled along on a playful-atmospheric world trip through puppet theatre.\u201c \u2013 Double. Magazin f\u00fcr Puppen-, Figuren- und Objekttheater Development and further information: For Puppets 4.0, the German Forum for Puppetry Arts is collaborating with DIGIFACTURA &#8211; a start-up that specializes in the 3D digitization of art and cultural assets and has designed the virtual reality world exclusively for the exhibition. Information on the terms of use and frequent questions and answers can be found at www.fidena.de. For further questions: doku@fidena.de Funding: The project is supported by the Bundesbeauftragte f\u00fcr Kultur und Medien and the City of Bochum. The English version was made possible thanks to the support of Kultur.Gemeinschaften a collaborative funding strategy by Bundesbeauftragte f\u00fcr Kultur und Medien, Neustart Kultur and Kulturstiftung der L\u00e4nder.<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/puppetsinthegreenmountains.net\/index.php?rest_route=\/wp\/v2\/pages\/5235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/puppetsinthegreenmountains.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/puppetsinthegreenmountains.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/puppetsinthegreenmountains.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/puppetsinthegreenmountains.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5235"}],"version-history":[{"count":15,"href":"https:\/\/puppetsinthegreenmountains.net\/index.php?rest_route=\/wp\/v2\/pages\/5235\/revisions"}],"predecessor-version":[{"id":5963,"href":"https:\/\/puppetsinthegreenmountains.net\/index.php?rest_route=\/wp\/v2\/pages\/5235\/revisions\/5963"}],"wp:attachment":[{"href":"https:\/\/puppetsinthegreenmountains.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}